How to Create a Copyright Page in 5 Minutes (with Template)

How to Create a Copyright Page in 5 Minutes (with Template) The Self-Publisher's Guide to the Copyright Page (with Template) Imagine the day of your book release. Your book is selling fast online, your book reviews are glowing, and your scheduled book promotions are up and running. In fact, everything’s going swimmingly in your plan to conquer the world with your self-published book  until you wake up in a cold sweat - realizing that you forgot to include a copyright page.Is it the end of the world? Not quite. There’s no book police that’s going to punish you for not writing one up. But there are great reasons for making sure that you include one in every title you publish.That, and it’s super easy to create one: we give you everything that you need. In this post, you can pick between two templates:Do you prefer a basic copyright page? Jump to this template.Do you want an extended copyright page with more bells and whistles? Go this way.Then we give you a third option: if you want something that writes it  for you (and professionally typesets your whole book), you can use t he Reedsy Book Editor, our free formatting tool. The Editor automatically generates a copyright page and places it in the right place in the front matter of your book.If you’re not sure which option  is for you, that’s what the rest of this post is for! Together, we’ll de-mystify the topic entirely. But before we get to that, let's quickly clear something up: is one really mandatory?Do you need a copyright page?In a word? No. First Edition First Edition: January 2018 This paperback edition first published in 2018Publisher DetailsPublishers never waste a chance to promote themselves! You’ll find their details on the copyright page of a traditionally-published book, which will include the publisher’s:NameAddressWebsiteIf you’re self-publishing, you should know that the publisher is you (not KDP or IngramSpark, for example.) As for the address, if you don’t want to make it public, that’s perfectly fine. Simply provide the URL to your website and give readers another method of contacting you.If you’re using the Reedsy Book Editor: The RBE makes this easy (though currently you can’t use it to print disclaimers - that feature is coming soon). Head over to the â€Å"Book Settings† tab again and fill out the relevant fields so that the RBE can create an ‘extended’ page for you.Frequently Asked QuestionsWhere should the copyright page go in a book?In general, the copyright page goes in one of two places: the front or the back of the book.The most common approach is to put it on the verso (the reverse side) of the title page. If you’re uploading a PDF to KDP, that means that you should make sure that it comes right after the title page and just before the table of contents.Alternatively, you might decide to save the best for the end. If you go this route, it will be the final page of your book. Asked and answered: all you ever wanted to know about the copyright page in this post #selfpub How do you copyright a book?You might already own the copyright to your work the minute you create it, but registering that copyright is a different story altogether (and strongly recommended).To register your copyright, you’ll need to go to copyright.gov. For more details, read our guide that’s dedicated exclusively to guiding you through the copyright registration process.What else might you see on the copyright page?The information in our copyright page templates is specific to self-publishers. But if you’re morbidly curious about everything that goes onto the page in a traditionally published book, we can give you the nitty-gritty:Printer’s key: This is the mysterious string of numbers. But (sorry to disappoint) it’s not going to be the riddle of the Sphinx: the printing numbers simply point to the print run. The smallest number that you see indicates the printing. For example: if the smallest number is â€Å"3,† then that’s the th ird printing of that edition.CIP data: Otherwise known as Cataloguing-in-Publication data, this is the Library of Congress’ bibliographic record for a book. It’s not available to self-publishers - so it’s one thing that you don’t need to worry about.However you choose to write up this page is up to you. It all depends on what information you want to put out there for safe-keeping. That should be a breath of relief - there's no wrong way to go about it. That said, if you've got more questions about the subject, please give us a shout in the comments!Have additional questions about copyright? Leave us a comment. We'll answer straightaway.

The Tet Offensive essays

The Tet Offensive essays There are few points in the Vietnam War where monumental changes were made. One of these points was during Tet Offensive. The past must be analyzed to understand how the Tet Offensive changed the war. The Communist party in North Vietnam realized that they needed to exploit the weaknesses of South Vietnam and their American allies. The North wanted to create a rift between the American soldiers and the ARVN troops. They also wanted the American public to think that America was loosing the war. To accomplish these tasks they planned the Tet Offensive. The Tet offensive was an attack focused mostly in the province of Khe Sanh. It has been estimated that in that area alone 25,000 NVA troops attacked. Luckily though, American intelligence had expected a major attack in this area. However the NVA only had success in Hue and Saigon. Hue stayed in NVA control until the end of February, .during which time the NVA and NLF had enough time to massacre 2,500 people with another 3,500 people who have been suspected to be killed. In Saigon 5 battalions of NLF infiltrated the city and kept the fighting in Saigon to last a week. This week long struggle for the city destroyed blocks of Saigon and left the United States with the black images of the embassy being taken. Many of these events have been made out to be a major failure. However this was a military success. 35,000 North troops died from that battle while only 1,100 American troops and 2,700 ARVN were killed. This could be the first major event of defeatist media. They made this battle seem to be the horrible massacre of American troops where the North were going to crush the South. This also made the moral of the American troops head steadily downward. This was the beginning of the end of US involvement in Vietnam. The words of Ho Chi Minh echo through this incident. When he said You will kill 10 of our men, and we will kill 1 of yours, and in the end it will be you who tire...

To what extent did diplomacy effect the rise of the modern state from Essay

To what extent did diplomacy effect the rise of the modern state from 1648-1815 - Essay Example 1997). This requires a less teleological view of the emergence of the modern state by placing far more emphasis on the interrogation of the ostensible and hidden motivations of the diplomats of each era, who after all were the catalysts for change in the political arena. The ‘Westphalian’ state arose from the chaos of more than hundred years of European power struggle and it was brought about by the fiscal and military exhaustion of the participants. The need to put an end to the human, financial and environmental devastation brought the parties together in a five-year long diplomatic undertaking, with the goal of establishing collective security and a balance of power. Agreement was finally reached in 1648 on a new configuration of Europe that curtailed the power of the Holy Roman Empire and increased the number of member states substantially to allow sufficient numbers of states to form alliances that would constitute a ‘balance of power’ to avoid future c onflicts. The Peace of Westphalia also empowered diplomacy to be the first and foremost means of maintaining security. Also enshrined in the ‘Westphalian peace treaties’ was the ideal that ‘state interests’ prevailed beyond all other reasons, based on the hope that princes would not let themselves be ruled by ‘disorderly appetites’ (Nathan J., 2002). It was thus firmly established that from then on, secular state interests were to be of primary importance and they were to be guarded by loyal, professional servants of this state, who were skilled in states craft and diplomacy. The underlying aim was to achieve that no one state could ever again gain supremacy. Many of the theories underlying the negotiations of Westphalia, had their origin in the politics of the Italian city-states but it was in Munster and Osnabruck that they were consolidated and shaped into rules and regulations, which from then on occupied politicians and theoreticians alike (Cruz, L. 1997). The value the Italians had placed on diplomacy had depended on ‘balance of power’, counteracting the dominance of Venice with the alliance of the remaining four states, under the watchful eyes of Lorenzo de Medici and Ferdinand of Naples, whose vigilance acted as ‘preventative diplomacy’ (Rucellai and Guicciardini in Sheehan, M., 2002). There were, however flaws in the system set up in 1648 that were not present in the Venetian, particularly in relation to diplomacy and the concept of ‘balance of power’, which in the much larger European theatre lacked clear definition and prominence. Most importantly, however, there was no diplomatic mechanism in place during peace times and no watchful group of sovereigns as there were in Venice (Treasure, M., 2003). This effectively meant that every act of aggression could directly lead to war, in the absence of a diplomatic charter that would prescribe arbitration and despite the fact that ‘recourse to arms was outlawed’, (Nathan, J., 2002) The treaties of Westphalia called for ‘great conferences’ in the case of impending conflict (Grotius cited in Nathan, J., 2002), but the ‘collective response’ was to prove problematic in the coming decades, as few states